{"id":225665,"date":"2021-02-05T02:26:16","date_gmt":"2021-02-05T01:26:16","guid":{"rendered":"https:\/\/www.lotvekemans.nl\/home\/"},"modified":"2023-08-20T17:54:38","modified_gmt":"2023-08-20T16:54:38","slug":"home","status":"publish","type":"page","link":"https:\/\/www.lotvekemans.nl\/en\/","title":{"rendered":"Home"},"content":{"rendered":"

[et_pb_section fb_built=”1″ fullwidth=”on” _builder_version=”4.16″ _module_preset=”default” min_height=”100px” custom_margin=”||-51px|||” top_divider_color=”#00457a” global_colors_info=”{}”][et_pb_fullwidth_header title=”Lot Vekemans – playwright, screenwriter, novelist” _builder_version=”4.16″ _module_preset=”default” title_font=”|700||||on|||” title_text_align=”center” title_text_color=”#474747″ title_font_size=”20px” title_letter_spacing=”1px” background_color=”#ffffff” use_background_color_gradient=”on” background_color_gradient_stops=”#ffffff 0%|#ffffff 100%” background_color_gradient_start=”#ffffff” background_color_gradient_end=”#ffffff” min_height=”52px” custom_padding=”0px||4px|||” global_colors_info=”{}”][\/et_pb_fullwidth_header][\/et_pb_section][et_pb_section fb_built=”1″ fullwidth=”on” _builder_version=”4.16″ _module_preset=”default” min_height=”250px” global_colors_info=”{}”][et_pb_fullwidth_slider arrows_custom_color=”#000000″ dot_nav_custom_color=”#000000″ _builder_version=”4.16″ _module_preset=”default” header_font=”|600|||||||” header_line_height=”1.2em” body_font_size=”16px” body_line_height=”2em” custom_button=”on” button_border_color=”#f4f4f4″ button_font=”Open Sans|600|||||||” min_height=”532.3px” custom_padding=”100px||0px|||” auto=”on” auto_speed=”15000″ auto_ignore_hover=”on” link_option_url=”https:\/\/www.lotvekemans.nl\/quotes\/” link_option_url_new_window=”on” global_colors_info=”{}”][et_pb_slide heading=”'If we have to save the world with things that are allowed, we are hopelessly lost.'” button_text=”To novel” button_link=”https:\/\/www.lotvekemans.nl\/en\/the-disappeared\/” url_new_window=”on” _builder_version=”4.16″ _module_preset=”default” header_level=”h2″ header_font=”|600|||||||” header_text_color=”#ffffff” header_line_height=”1.1em” body_text_color=”#ffffff” body_font_size=”19px” background_enable_color=”off” use_background_color_gradient=”on” background_color_gradient_stops=”rgba(7,59,122,0.4) 0%|#f4f4f4 100%” background_color_gradient_start=”rgba(7,59,122,0.4)” background_color_gradient_end=”#f4f4f4″ custom_button=”on” button_text_color=”#ffffff” background_layout=”light” link_option_url=”http:\/\/www.test.lotvekemans.nl\/de-verdwenene” global_colors_info=”{}” sticky_transition=”on”]<\/p>\n

Simon in The Disappeared<\/em><\/p>\n

[\/et_pb_slide][et_pb_slide heading=”'I don't see myself as a victim, Meinrad. Nor you as the culprit. But even without victims and culprits, there are things that aren\u2019t right. Things we have to put right. That we can put right.' ” button_text=”To play” button_link=”https:\/\/www.lotvekemans.nl\/en\/plays\/” url_new_window=”on” _builder_version=”4.16″ _module_preset=”default” header_font=”|600|||||||” header_text_color=”#ffffff” header_line_height=”1.2em” body_font=”|600|||||||” body_text_color=”#ffffff” body_font_size=”19px” body_line_height=”1.8em” background_enable_color=”off” use_background_color_gradient=”on” background_color_gradient_stops=”rgba(7,59,122,0.4) 0%|#f4f4f4 100%” background_color_gradient_start=”rgba(7,59,122,0.4)” background_color_gradient_end=”#f4f4f4″ custom_button=”on” button_text_color=”#ffffff” background_layout=”light” link_option_url=”http:\/\/www.test.lotvekemans.nl\/toneelteksten\/” global_colors_info=”{}” sticky_transition=”on”]<\/p>\n

Ebba in Momentum<\/em><\/p>\n

[\/et_pb_slide][et_pb_slide heading=”'Recently, someone asked me the question, "If you could retroactively change something, what would you change?" Oh…. so much. I've done so much wrong.' ” button_text=”to play” button_link=”https:\/\/www.lotvekemans.nl\/en\/plays\/” url_new_window=”on” _builder_version=”4.16″ _module_preset=”default” header_font=”|600|||||||” header_line_height=”1.2em” body_font=”|600|||||||” body_text_color=”#ffffff” body_font_size=”20px” background_enable_color=”off” use_background_color_gradient=”on” background_color_gradient_stops=”rgba(7,59,122,0.4) 0%|#f4f4f4 100%” background_color_gradient_start=”rgba(7,59,122,0.4)” background_color_gradient_end=”#f4f4f4″ link_option_url=”https:\/\/www.lotvekemans.nl\/en\/plays\/” link_option_url_new_window=”on” global_colors_info=”{}” sticky_transition=”on”]<\/p>\n

Ida in No one is waiting for you<\/em><\/p>\n

[\/et_pb_slide][et_pb_slide heading=”'I am nice out of weakness. I just don't have the guts to be unkind.'” button_text=”To novel” button_link=”https:\/\/www.lotvekemans.nl\/en\/a-wedding-dress-from-warsaw\/” url_new_window=”on” _builder_version=”4.16″ _module_preset=”default” background_enable_color=”off” use_background_color_gradient=”on” background_color_gradient_stops=”rgba(7,59,122,0.4) 0%|#f4f4f4 100%” background_color_gradient_start=”rgba(7,59,122,0.4)” background_color_gradient_end=”#f4f4f4″ global_colors_info=”{}” sticky_transition=”on”]<\/p>\n

Andries in A wedding dress from Warsaw<\/em><\/p>\n

[\/et_pb_slide][et_pb_slide heading=”'My daughter has a daughter too. Angie. I've only seen the pictures. Adorable. She can just walk.With those crooked fat little legs. That's how I picture it. I don't know. In the pictures I can only see her head.' ” button_text=”To play” button_link=”http:\/\/www.test.lotvekemans.nl\/toneelteksten\/” url_new_window=”on” _builder_version=”4.16″ _module_preset=”default” header_font=”|600|||||||” header_line_height=”1.2em” body_font=”|600|||||||” body_text_color=”#ffffff” body_font_size=”20px” background_enable_color=”off” use_background_color_gradient=”on” background_color_gradient_stops=”rgba(7,59,122,0.4) 0%|#f4f4f4 100%” background_color_gradient_start=”rgba(7,59,122,0.4)” background_color_gradient_end=”#f4f4f4″ link_option_url=”https:\/\/www.lotvekemans.nl\/en\/plays\/” global_colors_info=”{}” sticky_transition=”on”]<\/p>\n

Lisa in Leda Court<\/em><\/span><\/p>\n

[\/et_pb_slide][et_pb_slide heading=”'Is there anyone here who would dare to say: He died for me. He died for my sins And who would dare to say without batting an eye. Or even worse: try to defend it. Who?' ” button_text=”to play” button_link=”https:\/\/www.lotvekemans.nl\/en\/plays\/” url_new_window=”on” _builder_version=”4.16″ _module_preset=”default” header_font=”|600|||||||” header_line_height=”1.2em” body_font=”|600|||||||” body_font_size=”20px” background_enable_color=”off” use_background_color_gradient=”on” background_color_gradient_stops=”rgba(7,59,122,0.4) 0%|#f4f4f4 100%” background_color_gradient_start=”rgba(7,59,122,0.4)” background_color_gradient_end=”#f4f4f4″ link_option_url=”https:\/\/www.lotvekemans.nl\/en\/plays\/” global_colors_info=”{}” sticky_transition=”on”]<\/p>\n

Judas in Judas<\/em><\/p>\n

[\/et_pb_slide][et_pb_slide heading=”'I\u2019m just trying to tell you my side of the story. The whole story. Not what\u2019s left after a hundred years. Or a thousand years A footnote in a book. Ismene, colon: Daughter of. Sister of.' ” button_text=”to play” button_link=”https:\/\/www.lotvekemans.nl\/en\/plays\/” url_new_window=”on” _builder_version=”4.16″ _module_preset=”default” header_font=”|600|||||||” body_font=”||on||||||” body_font_size=”19px” background_enable_color=”off” use_background_color_gradient=”on” background_color_gradient_stops=”rgba(7,59,122,0.4) 0%|#f4f4f4 100%” background_color_gradient_start=”rgba(7,59,122,0.4)” background_color_gradient_end=”#f4f4f4″ link_option_url=”http:\/\/www.test.lotvekemans.nl\/toneelteksten\/” global_colors_info=”{}” sticky_transition=”on”]<\/p>\n

Ismene in Sister From<\/em><\/p>\n

[\/et_pb_slide][et_pb_slide heading=”'I went to put my arm around him. I'd never done that before. Like this. Like I was going to do now. Because he was crying. I was going to comfort him.' ” button_text=”to play” button_link=”https:\/\/www.lotvekemans.nl\/en\/plays\/” url_new_window=”on” _builder_version=”4.16″ _module_preset=”default” header_font=”|600|||||||” header_line_height=”1.2em” body_font=”|600|||||||” body_font_size=”20px” background_enable_color=”off” use_background_color_gradient=”on” background_color_gradient_stops=”rgba(7,59,122,0.4) 0%|#f4f4f4 100%” background_color_gradient_start=”rgba(7,59,122,0.4)” background_color_gradient_end=”#f4f4f4″ link_option_url=”https:\/\/www.lotvekemans.nl\/quotes” global_colors_info=”{}” sticky_transition=”on”]<\/p>\n

Katelijne in TRUCKSTOP<\/em><\/p>\n

[\/et_pb_slide][\/et_pb_fullwidth_slider][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”About” _builder_version=”4.16″ background_color=”#f4f4f4″ locked=”off” global_colors_info=”{}”][et_pb_row column_structure=”1_2,1_2″ _builder_version=”4.16″ min_height=”1000px” min_height_tablet=”” min_height_phone=”” min_height_last_edited=”on|phone” module_alignment_tablet=”” module_alignment_phone=”” module_alignment_last_edited=”on|tablet” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ text_text_color=”#474747″ header_font=”||||||||” header_text_color=”#474747″ header_2_font=”Montserrat|800||on|||||” header_2_text_color=”#000000″ header_2_font_size=”60px” header_2_line_height=”1.2em” module_alignment=”right” header_2_font_size_tablet=”40px” header_2_font_size_phone=”25px” header_2_font_size_last_edited=”on|desktop” locked=”off” global_colors_info=”{}”]<\/p>\n

Lot vekemans<\/span><\/h2>\n

[\/et_pb_text][et_pb_image src=”https:\/\/www.lotvekemans.nl\/wp-content\/uploads\/2021\/02\/C5F1A3D3-A9B2-4043-BAA3-BAC9529F7711-scaled-1.jpeg” title_text=”Lot Vekemans” _builder_version=”4.16″ max_width_tablet=”” max_width_phone=”” max_width_last_edited=”on|tablet” animation_direction=”bottom” always_center_on_mobile=”off” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.16″ custom_padding=”84px|||” custom_padding_tablet=”0px|||” custom_padding_phone=”” custom_padding_last_edited=”on|tablet” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ text_font=”||||||||” text_font_size=”16px” text_line_height=”1.8em” text_orientation=”justified” min_height=”493px” text_font_size_tablet=”16px” text_font_size_phone=”14px” text_font_size_last_edited=”on|phone” text_line_height_tablet=”1.8em” text_line_height_phone=”1.7em” text_line_height_last_edited=”off|phone” locked=”off” global_colors_info=”{}”]<\/p>\n

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Lot Vekemans (b. 1965) writes plays, novels and screenplays and works on demand as a script coach for professional theater and film makers. As a playwright, she is an international star. Her work has been translated into twenty-two languages and performed in more than thirty-five countries. This makes her the most performed Dutch playwright abroad. <\/p>\n

Her work has received several awards. She received the Taalunie Toneelschrijfprijs for Gif (Poison)<\/em>, the Van der Viesprijs for Truckstop<\/em> and Zus Van (Sister of)<\/em> and was awarded the Ludwig M\u00fclheims Theaterpreis for her entire translated German oeuvre. Her debut novel A Wedding Dress from Warsaw<\/em> was nominated for the Anton Wachter Prize and has been translated into several languages. <\/p>\n

Lot Vekemans studied Social Geography and then attended the Writersschool Amsterdam where she studied drama and non-fiction. Her work has been praised for its combination of deboned language that does not contain a word too many with a deep insight into the human psyche, giving the viewer\/reader a glimpse into the soul of her characters. <\/p>\n

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Disappeared” _builder_version=”4.16″ _module_preset=”default” background_color=”rgba(7,59,122,0.4)” width=”100%” module_alignment=”left” custom_padding=”||9px|||” global_colors_info=”{}”][\/et_pb_audio][et_pb_button button_url=”https:\/\/libris.nl\/boek\/?authortitle=lot-vekemans\/de-verdwenene–9789059369412″ url_new_window=”on” button_text=”Order this book (in Dutch) – \u20ac 22,99″ _builder_version=”4.16″ custom_button=”on” button_text_size=”14px” button_text_color=”#ffffff” button_bg_color=”#94a6bf” button_border_width=”8px” button_border_color=”#94a6bf” button_letter_spacing=”2px” button_font=”Nunito|700||on|||||” button_use_icon=”off” custom_margin=”30px|||” animation_style=”slide” animation_direction=”right” animation_intensity_slide=”5%” animation_starting_opacity=”100%” box_shadow_style=”preset2″ box_shadow_horizontal=”0px” box_shadow_vertical=”25px” box_shadow_blur=”45px” box_shadow_color=”rgba(148,166,191,0.25)” global_colors_info=”{}” button_text_size__hover_enabled=”off” 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custom_padding__hover=”|||”][et_pb_text admin_label=”Title” _builder_version=”4.16″ text_font=”Nunito|600|||||||” text_font_size=”15px” header_font=”Abhaya Libre|700|||||||” header_font_size=”70px” header_line_height=”1.2em” header_4_font=”Nunito|700||on|||||” header_4_text_color=”#bda392″ header_4_letter_spacing=”2px” header_4_line_height=”1.8em” min_height=”100px” custom_margin=”-71px||-25px|||” custom_padding=”||0px|||” animation_style=”slide” animation_direction=”right” animation_intensity_slide=”5%” animation_starting_opacity=”100%” header_font_size_tablet=”40px” header_font_size_phone=”” header_font_size_last_edited=”on|tablet” global_colors_info=”{}”]<\/p>\n

The Disappeared<\/h1>\n

novel<\/strong><\/span><\/p>\n

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[\/et_pb_text][et_pb_text _builder_version=”4.16″ text_font=”Nunito||||||||” text_font_size=”18px” text_line_height=”1.8em” header_font=”||||||||” animation_style=”slide” animation_direction=”right” animation_intensity_slide=”5%” animation_starting_opacity=”100%” global_colors_info=”{}”]<\/p>\n

Awkwardly, they had shaken hands in the airport, Simon and his nephew. An insecure adolescent with overly long arms and an incipient beard. His distraught mother had suddenly called and urged her brother, who had emigrated to Canada, to take him in “for a while. Simon’s muttered “Let him come” soon proved a mistake. <\/span>
Simon has lost his cherished independence and is bothered by the boy, who prefers to watch TV, order pizza and whine that he wants to go to the Rocky Mountains. In a fit of indulgence, Simon gives in: a day out, then. <\/span>
In a grill restaurant, they meet two enthusiastic mountain hikers: father and son. They take the boy for a day hike, while Simon stays behind in the picturesque mountain town. The three return from the hike with great stories. Not only that: they have a taste for it and want to go further into the mountains. Dinner ends in a high-spirited argument and humiliation for Simon. The next morning, the Rocky trio is without a trace, having checked out without leaving a message. <\/span><\/p>\n

“Thanks to the compelling perspective in this novel, which offers powerful dialogue from characters who barely get to know each other, you start to think things are normal that aren’t. ” NRC ****<\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_row _builder_version=”4.16″ _module_preset=”default” min_height=”60.8px” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ _module_preset=”default” text_font=”|800||on|||||” text_text_color=”#474747″ text_font_size=”23px” custom_padding=”4px|||||” global_colors_info=”{}”]<\/p>\n

news<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,1_3,1_3″ make_equal=”on” _builder_version=”4.16″ _module_preset=”default” background_enable_color=”off” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.22.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_post_slider include_categories=”9″ show_meta=”off” show_image=”off” use_bg_overlay=”off” _builder_version=”4.16″ _module_preset=”default” header_font=”|||||on|||” header_text_color=”#474747″ body_text_color=”#474747″ background_enable_color=”off” custom_button=”on” button_text_color=”#ffffff” button_bg_color=”rgba(7,59,122,0.4)” background_layout=”light” min_height=”500px” max_height=”500px” link_option_url=”https:\/\/www.residenztheater.de\/stuecke\/detail\/niemand-wartet-auf-dich” link_option_url_new_window=”on” border_width_all=”5px” border_color_all=”rgba(7,59,122,0.4)” global_colors_info=”{}”][\/et_pb_post_slider][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.22.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_post_slider include_categories=”11,7,17″ show_meta=”off” bg_overlay_color=”#7a7a7a” use_text_overlay=”off” _builder_version=”4.16″ _module_preset=”default” header_font=”|||||on|||” background_enable_color=”off” min_height=”500px” max_height=”500px” global_colors_info=”{}”][\/et_pb_post_slider][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_post_slider include_categories=”23,12,6,10,4″ show_meta=”off” bg_overlay_color=”#ffffff” use_text_overlay=”off” _builder_version=”4.16″ _module_preset=”default” header_font=”|600||||on|||” header_text_color=”#7a7a7a” body_text_color=”#474747″ background_enable_color=”off” custom_button=”on” button_text_color=”#ffffff” button_bg_color=”#7a7a7a” background_layout=”light” min_height=”500px” max_height=”500px” border_width_all=”5px” border_color_all=”#b3b3b3″ global_colors_info=”{}”][\/et_pb_post_slider][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”Event Section” _builder_version=”4.16″ use_background_color_gradient=”on” background_color_gradient_direction=”90deg” background_color_gradient_stops=”rgba(244,244,244,0) 20%|#f4f4f4 50%” background_color_gradient_overlays_image=”on” background_color_gradient_start=”rgba(244,244,244,0)” background_color_gradient_start_position=”20%” background_color_gradient_end=”#f4f4f4″ background_color_gradient_end_position=”50%” background_image=”https:\/\/www.lotvekemans.nl\/wp-content\/uploads\/2021\/02\/Back-ground-optredens.png” custom_margin=”-3px|||||” custom_padding=”150px||150px|” global_colors_info=”{}”][et_pb_row column_structure=”1_2,1_2″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_blurb title=”At the center of the conflict are the insights” use_icon=”on” font_icon=”|||divi||400″ icon_color=”rgba(7,59,122,0.4)” content_max_width=”350px” _builder_version=”4.16″ _module_preset=”default” body_font=”Open Sans||||||||” global_colors_info=”{}”]<\/p>\n

“The main characters in Vekemans’ texts are usually troubled figures trying to get a grip on their insecurities and miseries. Vekemans always does so with a keen insight into human psychs. “I’m very curious about people and try to understand why they do things the way they do. As a writer you are constantly putting yourself in someone else’s shoes; playwriting is pre-eminently the medium to develop that. You always have to step into all these characters. Drama is always about conflict, you’re working your way in. At the center of that conflict are also the insights.”<\/p>\n

From interview with Gerrit van den Hoven for the Brabants Dagblad
<\/em><\/p>\n

[\/et_pb_blurb][et_pb_blurb title=”Who the hell wants to do that?” use_icon=”on” font_icon=”|||divi||400″ icon_color=”rgba(7,59,122,0.4)” content_max_width=”350px” _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n

“Frankly, I would advise against anyone going into playwriting. The only reason to start writing drama is because you can’t help yourself. Which I think is the only reason to make art at all; because you can’t help yourself.”<\/p>\n

From correspondence with Norwegian writer Tale N\u00e6ss, published in Ferske Norske<\/a>
<\/em><\/p>\n

[\/et_pb_blurb][et_pb_blurb title=”A good play is more than words on paper” use_icon=”on” font_icon=”|||divi||400″ icon_color=”rgba(7,59,122,0.4)” content_max_width=”350px” _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n

“Words within a play are mere islands, they seem like good refuges to stay, but the real challenge is how to move from one island to the other without drowning. That space between those words is where the value of the play will show itself. The space that\u2019s available to travel. For directors, actors, designers, and eventually the audience.”<\/p>\n

From correspondence with Norwegian writer Tale N\u00e6ss, published in Ferske Norske<\/a>
<\/em><\/p>\n

[\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.16″ background_color=”#f4f4f4″ custom_padding=”|||” custom_padding_tablet=”40px|40px|40px|40px” custom_padding_phone=”” custom_padding_last_edited=”on|desktop” global_colors_info=”{}” padding_tablet=”40px|40px|40px|40px” padding_last_edited=”on|desktop” custom_padding__hover=”|||” padding_phone=”40px|40px|40px|40px”][et_pb_text admin_label=”Title” _builder_version=”4.16″ header_font=”||||||||” header_2_font=”Abhaya Libre|700|||||||” header_2_font_size=”64px” header_2_line_height=”1.2em” custom_margin=”||-3px|||” custom_padding=”||30px|” animation_style=”slide” animation_direction=”right” animation_intensity_slide=”5%” animation_starting_opacity=”100%” header_2_font_size_tablet=”40px” header_2_font_size_phone=”” header_2_font_size_last_edited=”on|tablet” locked=”off” global_colors_info=”{}”]<\/p>\n

Listen<\/h2>\n

[\/et_pb_text][et_pb_text admin_label=”Subtitle” _builder_version=”4.22.0″ text_font=”||||||||” header_font=”||||||||” header_4_font=”Nunito|700||on|||||” header_4_text_color=”#94a6bf” header_4_letter_spacing=”2px” header_4_line_height=”1.8em” custom_margin=”||0px|” animation_style=”slide” animation_direction=”right” animation_intensity_slide=”5%” animation_starting_opacity=”100%” hover_enabled=”0″ locked=”off” global_colors_info=”{}” sticky_enabled=”0″]<\/p>\n

Panorama Zondag- radio 19 februari, 2023<\/h4>\n

[\/et_pb_text][et_pb_cta button_url=”https:\/\/www.nporadio4.nl\/podcasts\/panorama-zondag\/93939\/herhaling-van-het-culturele-landschap-van-lot-vekemans-30-juli-2023″ url_new_window=”on” button_text=”Listen” _builder_version=”4.22.0″ header_font=”Abhaya Libre|700|||||||” header_text_align=”left” header_font_size=”24px” header_line_height=”1.6em” body_font=”||||||||” body_font_size=”16px” body_line_height=”2em” use_background_color=”off” custom_button=”on” button_text_size=”14px” button_text_color=”#ffffff” button_bg_color=”#94a6bf” button_border_width=”8px” button_border_color=”#94a6bf” button_letter_spacing=”2px” button_font=”Nunito|700||on|||||” button_use_icon=”off” text_orientation=”left” background_layout=”light” min_height=”128.6px” custom_padding=”||0px|||” animation_style=”slide” animation_direction=”right” animation_intensity_slide=”5%” animation_starting_opacity=”100%” hover_enabled=”0″ global_colors_info=”{}” button_text_size__hover_enabled=”off” button_one_text_size__hover_enabled=”off” button_two_text_size__hover_enabled=”off” button_text_color__hover_enabled=”off” button_one_text_color__hover_enabled=”off” button_two_text_color__hover_enabled=”off” button_border_width__hover_enabled=”off” button_one_border_width__hover_enabled=”off” button_two_border_width__hover_enabled=”off” button_border_color__hover_enabled=”off” button_one_border_color__hover_enabled=”off” button_two_border_color__hover_enabled=”off” button_border_radius__hover_enabled=”off” button_one_border_radius__hover_enabled=”off” button_two_border_radius__hover_enabled=”off” button_letter_spacing__hover_enabled=”off” button_one_letter_spacing__hover_enabled=”off” button_two_letter_spacing__hover_enabled=”off” button_bg_color__hover_enabled=”off” button_one_bg_color__hover_enabled=”off” button_two_bg_color__hover_enabled=”off” sticky_enabled=”0″]<\/p>\n

Lot Vekemans talks with Hans Smit in response to five works of art about life, work and art. (In Dutch) Listen to the conversation.<\/p>\n

[\/et_pb_cta][et_pb_text admin_label=”Subtitle” _builder_version=”4.16″ text_font=”||||||||” header_font=”||||||||” header_4_font=”Nunito|700||on|||||” header_4_text_color=”#94a6bf” header_4_letter_spacing=”2px” header_4_line_height=”1.8em” custom_margin=”||0px|” animation_style=”slide” animation_direction=”right” animation_intensity_slide=”5%” animation_starting_opacity=”100%” locked=”off” global_colors_info=”{}”]<\/p>\n

Nooit meer slapen- radio 24 februari, 2021<\/h4>\n

[\/et_pb_text][et_pb_cta button_url=”https:\/\/www.nporadio1.nl\/podcasts\/nooit-meer-slapen\/900814-lot-vekemans-24-februari-2021″ url_new_window=”on” button_text=”Listen” _builder_version=”4.16″ header_font=”Abhaya Libre|700|||||||” header_text_align=”left” header_font_size=”24px” header_line_height=”1.6em” body_font=”||||||||” body_font_size=”16px” body_line_height=”2em” use_background_color=”off” custom_button=”on” button_text_size=”14px” button_text_color=”#ffffff” button_bg_color=”#94a6bf” button_border_width=”8px” button_border_color=”#94a6bf” button_letter_spacing=”2px” button_font=”Nunito|700||on|||||” button_use_icon=”off” text_orientation=”left” background_layout=”light” min_height=”128.6px” custom_padding=”||0px|||” animation_style=”slide” animation_direction=”right” animation_intensity_slide=”5%” animation_starting_opacity=”100%” global_colors_info=”{}” button_text_size__hover_enabled=”off” button_one_text_size__hover_enabled=”off” button_two_text_size__hover_enabled=”off” button_text_color__hover_enabled=”off” button_one_text_color__hover_enabled=”off” button_two_text_color__hover_enabled=”off” button_border_width__hover_enabled=”off” button_one_border_width__hover_enabled=”off” button_two_border_width__hover_enabled=”off” button_border_color__hover_enabled=”off” button_one_border_color__hover_enabled=”off” button_two_border_color__hover_enabled=”off” button_border_radius__hover_enabled=”off” button_one_border_radius__hover_enabled=”off” button_two_border_radius__hover_enabled=”off” button_letter_spacing__hover_enabled=”off” button_one_letter_spacing__hover_enabled=”off” button_two_letter_spacing__hover_enabled=”off” button_bg_color__hover_enabled=”off” button_one_bg_color__hover_enabled=”off” button_two_bg_color__hover_enabled=”off”]<\/p>\n

Lot Vekemans talks to Pieter van der Wielen in VPRO’s Nooit meer slapen about her second novel “De Verdwenene. (In Dutch) Listen to the conversation.<\/p>\n

[\/et_pb_cta][et_pb_text admin_label=”Subtitle” _builder_version=”4.16″ text_font=”||||||||” header_font=”||||||||” header_4_font=”Nunito|700||on|||||” header_4_text_color=”#94a6bf” header_4_letter_spacing=”2px” header_4_line_height=”1.8em” custom_margin=”||0px|” animation_style=”slide” animation_direction=”right” animation_intensity_slide=”5%” animation_starting_opacity=”100%” locked=”off” global_colors_info=”{}”]<\/p>\n

Opium radio- 25 februari, 2021<\/h4>\n

[\/et_pb_text][et_pb_cta button_url=”https:\/\/www.nporadio4.nl\/podcasts\/opium” url_new_window=”on” button_text=”Listen” _builder_version=”4.16″ header_font=”Abhaya Libre|700|||||||” header_text_align=”left” header_font_size=”24px” header_line_height=”1.6em” body_font=”||||||||” body_font_size=”16px” body_line_height=”2em” use_background_color=”off” custom_button=”on” button_text_size=”14px” button_text_color=”#ffffff” button_bg_color=”#94a6bf” button_border_width=”8px” button_border_color=”#94a6bf” button_letter_spacing=”2px” button_font=”Nunito|700||on|||||” button_use_icon=”off” text_orientation=”left” background_layout=”light” min_height=”165.4px” custom_margin=”||1px|||” custom_padding=”||2px|||” animation_style=”slide” animation_direction=”right” animation_intensity_slide=”5%” animation_starting_opacity=”100%” link_option_url=”mailto:contact@lotvekemans.nl” link_option_url_new_window=”on” global_colors_info=”{}” button_text_size__hover_enabled=”off” button_one_text_size__hover_enabled=”off” button_two_text_size__hover_enabled=”off” button_text_color__hover_enabled=”off” button_one_text_color__hover_enabled=”off” button_two_text_color__hover_enabled=”off” button_border_width__hover_enabled=”off” button_one_border_width__hover_enabled=”off” button_two_border_width__hover_enabled=”off” button_border_color__hover_enabled=”off” button_one_border_color__hover_enabled=”off” button_two_border_color__hover_enabled=”off” button_border_radius__hover_enabled=”off” button_one_border_radius__hover_enabled=”off” button_two_border_radius__hover_enabled=”off” button_letter_spacing__hover_enabled=”off” button_one_letter_spacing__hover_enabled=”off” button_two_letter_spacing__hover_enabled=”off” button_bg_color__hover_enabled=”off” button_one_bg_color__hover_enabled=”off” button_two_bg_color__hover_enabled=”off”]<\/p>\n

Lot Vekemans speaks with Annemieke Bosman on Opium Radio on Radio 4 about her novel “The Disapeared” (in Dutch). Listen to the conversation.<\/p>\n

[\/et_pb_cta][et_pb_text admin_label=”Subtitle” _builder_version=”4.16″ text_font=”||||||||” header_font=”||||||||” header_4_font=”Nunito|700||on|||||” header_4_text_color=”#94a6bf” header_4_letter_spacing=”2px” header_4_line_height=”1.8em” min_height=”10.4px” custom_margin=”12px||5px|||” custom_padding=”0px|||||” animation_style=”slide” animation_direction=”right” animation_intensity_slide=”5%” animation_starting_opacity=”100%” locked=”off” global_colors_info=”{}”]<\/p>\n

de taalstaat -27 februari, 2021<\/h4>\n

[\/et_pb_text][et_pb_cta title=”De Taalstaat – radio” button_url=”https:\/\/www.nporadio1.nl\/de-taalstaat\/onderwerpen\/73019-2021-02-27-lot-vekemans-over-haar-boek-de-verdwenene” url_new_window=”on” button_text=”Listen” _builder_version=”4.16″ header_font=”Abhaya Libre|700|||||||” header_text_align=”left” header_font_size=”24px” header_line_height=”1.6em” body_font=”||||||||” body_font_size=”16px” body_line_height=”2em” use_background_color=”off” custom_button=”on” button_text_size=”14px” button_text_color=”#ffffff” button_bg_color=”#94a6bf” button_border_width=”8px” button_border_color=”#94a6bf” button_letter_spacing=”2px” button_font=”Nunito|700||on|||||” button_use_icon=”off” text_orientation=”left” background_layout=”light” custom_margin=”||-54px|||” custom_padding=”0px||0px|||” animation_style=”slide” animation_direction=”right” animation_intensity_slide=”5%” animation_starting_opacity=”100%” link_option_url=”mailto:contact@lotvekemans.nl” link_option_url_new_window=”on” global_colors_info=”{}” button_text_size__hover_enabled=”off” button_one_text_size__hover_enabled=”off” button_two_text_size__hover_enabled=”off” button_text_color__hover_enabled=”off” button_one_text_color__hover_enabled=”off” button_two_text_color__hover_enabled=”off” button_border_width__hover_enabled=”off” button_one_border_width__hover_enabled=”off” button_two_border_width__hover_enabled=”off” button_border_color__hover_enabled=”off” button_one_border_color__hover_enabled=”off” button_two_border_color__hover_enabled=”off” button_border_radius__hover_enabled=”off” button_one_border_radius__hover_enabled=”off” button_two_border_radius__hover_enabled=”off” button_letter_spacing__hover_enabled=”off” button_one_letter_spacing__hover_enabled=”off” button_two_letter_spacing__hover_enabled=”off” button_bg_color__hover_enabled=”off” button_one_bg_color__hover_enabled=”off” button_two_bg_color__hover_enabled=”off”]<\/p>\n

Lot Vekemans talks to Frits Spits about the difference between writing for stage or a novel. (In Dutch) Listen to the conversation. <\/p>\n

[\/et_pb_cta][et_pb_text _builder_version=”4.16″ _module_preset=”default” min_height=”33.6px” custom_margin=”104px|||||” custom_padding=”||0px|||” global_colors_info=”{}”]<\/p>\n

PERFORMANCES<\/strong> THEATER<\/strong><\/span><\/p>\n

[\/et_pb_text][et_pb_code _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”]\n

Geen voorstellingen binnenkort<\/p>\n\t[\/et_pb_code][et_pb_code _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_code][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ module_id=”contact” _builder_version=”4.16″ _module_preset=”default” custom_padding=”||0px|||” global_colors_info=”{}”][et_pb_row _builder_version=”4.16″ _module_preset=”default” min_height=”83px” custom_padding=”0px|||||” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ header_font=”||||||||” header_2_font=”Montserrat|800||on|||||” header_2_text_color=”#000000″ header_2_font_size=”60px” header_2_line_height=”1.2em” module_alignment=”right” custom_margin=”28px|||||” custom_padding=”||0px|||” header_2_font_size_tablet=”40px” header_2_font_size_phone=”25px” header_2_font_size_last_edited=”on|desktop” locked=”off” global_colors_info=”{}”]<\/p>\n

contact<\/h2>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.16″ _module_preset=”default” custom_margin=”-29px|||||” custom_padding=”0px|||||” global_colors_info=”{}”][et_pb_row column_structure=”3_5,2_5″ _builder_version=”4.16″ _module_preset=”default” min_height=”862.7px” global_colors_info=”{}”][et_pb_column type=”3_5″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ _module_preset=”default” width=”100%” min_height=”494.6px” custom_padding=”||0px|||” global_colors_info=”{}”]Copyright Theater & Film NL<\/strong>
\nHet Contractenbureau
\nDe Lairessestraat 125
\n1075 HH Amsterdam
\nPhone: +31 (0)20 214 91 45
\noffice@contractenbureau.nl<\/a>
\nwww.contractenbureau.nl<\/a><\/p>\n

Copyright Theater International<\/strong>
\nGustav Kiepenheuer B\u00fchnenvertriebs
\nSchweinfurthstrasse 60
\n14195 Berlin
\nPhone: + 49 (0)30 8971840
\nmueller@kiepenheuer-medien.de<\/a>
\nwww.kiepenheuer-medien.de<\/a><\/p>\n

Amateur Theater NL & BE<\/strong>
\nIBVA
\nwww.ibva.nl<\/a>
\ninfo@ibva.nl<\/a>
\nPhone: +31 (0)72 5112135<\/p>\n

<\/strong><\/p>\n

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Literary agent:<\/strong>
Willem Bisseling
Sebes & Bisseling Literary Agency
Herengracht 613
1017 CE Amsterdam
bisseling@sebes.nl<\/a>
www.sebes.nl<\/a><\/p>\n

Publisher<\/strong>:
Publishhouse Cossee
Kerkstraat 361
1017 HW Amsterdam
Phone: +31 (0)20 528 99 11
info@cossee.com<\/a>
www.cossee.com<\/a><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

Simon in The DisappearedEbba in MomentumIda in No one is waiting for youAndries in A wedding dress from WarsawLisa in Leda CourtJudas in JudasIsmene in Sister FromKatelijne in TRUCKSTOPLot vekemans Lot Vekemans (b. 1965) writes plays, novels and screenplays and works on demand as a script coach for professional theater and film makers. As a […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-225665","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.lotvekemans.nl\/en\/wp-json\/wp\/v2\/pages\/225665"}],"collection":[{"href":"https:\/\/www.lotvekemans.nl\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.lotvekemans.nl\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.lotvekemans.nl\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.lotvekemans.nl\/en\/wp-json\/wp\/v2\/comments?post=225665"}],"version-history":[{"count":10,"href":"https:\/\/www.lotvekemans.nl\/en\/wp-json\/wp\/v2\/pages\/225665\/revisions"}],"predecessor-version":[{"id":225751,"href":"https:\/\/www.lotvekemans.nl\/en\/wp-json\/wp\/v2\/pages\/225665\/revisions\/225751"}],"wp:attachment":[{"href":"https:\/\/www.lotvekemans.nl\/en\/wp-json\/wp\/v2\/media?parent=225665"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}